Posted on May 14, 2021 in: |Comments Off on Episode 14: Tess Raunig: I Am More Than The Shape Of My Body
Community Profile: Voices From The Real World
Episode 14: Tess Raunig: I Am More Than The Shape Of My Body
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“To some, Tess Raunig may live at the intersection of many identities but to their mind, there’s only one: Tess Raunig. Tess is on a mission to break down every myth, every misconception, every lie and every injustice that is an obstacle to any body being their best self. This fire is red hot and a dominant aspect of their words, writing and music.” -Bobby Bermea
ARTIST BIO Tess Raunig (they/them/theirs) is a disabled, trans multidisciplinary creative and performer based in Portland, OR. They wish to thank Profile Theatre for both featuring them on Voices from The Real World, and for sponsoring and organizing the LGBTIQ+ writing cohort. As an actor, have worked with companies such as Artists Repertory Theatre (Teenage Dick, Mercury Company II and III), Oregon Children’s Theatre (Dragons Love Tacos), Bag & Baggage Productions (Sequestered Soliloquies), Couch Film Collective (Again and Again), Adventuress Films, Oyster Shell Productions, the Disability Art and Culture Project, and Impetus Arts. They are also a junior associate artist with Original Practice Shakespeare Festival. In August 2019, they starred in the world premier of The Poet’s Shadow, a rock opera written by students at PHAME Academy, in partnership with Portland, OR. Tess serves as a teaching artist, and choral assistant at PHAME.
They sing and play keyboard/synth in the Portland based theatrical folk pop band, Sasha and The Children. Tess is also a member of Acchord, an a’capella group comprised of trans and non-binary singers. When they aren’t acting, writing, playing music, or teaching, Tess enjoys drinking tea, social justice activism, and hanging out with their cat child, Sasha. And yes, the band is named after Sasha kitty. linktr.ee/tessraunig
Posted on April 30, 2021 in: |Comments Off on Episode 13: Brave Zamogogo: Give Me A New Face So I Can Love You
Community Profile: Voices From The Real World
Episode 13: Brave Zamogogo: Give Me A New Face So I Can Love You
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“Brave Zamogogo(Sohacki) is a warm, charming, fluid individual and their writing reveals an eye for vivid imagery and a generosity of spirit for the human condition.” -Bobby Bermea
ARTIST BIO Brave identifies as a Queer Latinx non-binary collaborative ceremonialist. They thank their ancestors and all their relations for their life and happiness. Their writings are inspired by the magic of connection between the human, non human, and place. Recently, their piece I Trust Her debuted in Bag and Baggage’s Sequestered Soliloquies, they first acted on the stage of Defunkt Theatre in 2018’s production of Slipping by Daniel Talbot, and are currently an ensemble member with The Actors Conservatory at Artists Rep in Portland, OR.
Posted on April 12, 2021 in: |Comments Off on Episode 12: Greg Berman: All The Animals of the Kingdom
Community Profile: Voices From The Real World
Episode 12: Greg Berman: All The Animals of the Kingdom
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“Much of Greg Berman’s writing centers around mental health because that is the field in which he has spent much of his life. Today, Greg is a professional psychiatrist who also brings his life experience and insight to the page with intelligence, courage and vivacity.” -Bobby Bermea
ARTIST BIO Greg Berman received his MFA in dramatic writing at Lesley University. He is a private practice psychiatrist in Portland, Oregon and is interested in the intersection of creativity and mental health. His ten-minute play Hope and Change appeared in Being Human a Playwright Showcase, by Scribe Stages at Moving Arts Theater in Los Angeles, CA, November, 2017. His play Bartow was inspired by the art of Rick Bartow and his ability to make art after a stroke, it received a reading in the Dramatists Guild footlight series last summer.
Posted on March 12, 2021 in: |Comments Off on Episode 10: Ernie Lijoi: When I Gave Into My Demon Desire
Community Profile: Voices From The Real World
Episode 10: Ernie Lijoi: When I Gave Into My Demon Desire
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“Ernie Lijoi looks like a tough guy and sings like an angel. He’s also a multifaceted font of creativity; playwright, songwriter, singer, actor, musician, comedian, storyteller and he puts on a bunch of those hats right in this podcast.” -Bobby Bermea
ARTIST BIO Ernie produced three albums as a young recording artist in the early 2000’s. His last CD Better Days was awarded “Best Unsigned Artist – Album of the Year” by Billboard magazine. He was also a member of the prestigious BMI Lehman Engel Musical theater workshop, where he took his songwriting to a more theatrical level. His songs have been recorded and performed by cabaret, choruses and jazz artists internationally and in 2015, he had two songs in the Broadway musical It Shoulda Been You. His own musical Under the Influence for which he wrote book music and lyrics was produced in Portland that same year and won a local Drammy award for “Best Original Score”. His newest musical The Pursuit of Happiness had its first workshop at the 2019 OUTwright Theater Festival and is slated for a 2020 production.
Ernie came to Portland from New York City, where along with his music and theater creations, he worked as a digital technologist for a multitude of advertisement firms. On relocating to Portland, he decided to go back to school to fulfill a lifelong desire to work in health care. He has recently graduated from Concorde as a Respiratory Therapist.
Ernie is now a board member for Fuse Theatre Ensemble which produces the Outwrite theater festival, an annual to showcase new works from the LGBT community.
Posted on February 5, 2021 in: |Comments Off on Episode 8: Matthew Miller: Alms for the Poor/Fertile Ground
Community Profile: Voices From The Real World
Episode 8: Matthew Miller: Alms for the Poor/Fertile Ground
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“Matthew Miller is a recently transplanted North Dakotan who has hit the ground running as a local playwright. He’s funny, irreverent and passionate about the medium.” -Bobby Bermea
ARTIST BIO Matthew Miller’s works for the stage include Martyr, I Love You/Who Are You (Portland Civic Theatre Guild New Play Award, 2018) and the children’s musical, One Pig, Two Pig, Three Pig, Blue Pig. A vocal advocate for local dramatists, he is a proud member of LineStorm Playwrights, PDX Playwrights, the Dramatists Guild, and the Portland Civic Theatre Guild, and currently serves as vice president of the Portland Area Theatre Alliance. Miller has written and produced several pieces in the annual Fertile Ground Festival of New Works and recently partnered with Bag&Baggage Productions to produce and write for Sequestered Soliloquies. He currently lives in Portland with his husband, their dog, Paca, and their cat, Mashed Potatoes.
Posted on December 17, 2020 in: |Comments Off on Episode 5: Rusty Tennant: Look Under My Face
Community Profile: Voices From The Real World
Episode 5: Rusty Tennant: Look Under My Face
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“As a person and as an artist, Rusty Tennant is a guy who makes his living wearing his heart on his sleeve and fighting for what is right and he’s got the battle scars to prove it.” -Bobby Bermea
ARTIST BIO Rusty Tennant is the Artistic Director of Fuse Theatre Ensemble. They have an MFA in Directing and Performance from the University of New Orleans. Rusty serves as the Technical Director at Reed College and is also the Producing Artistic Director of The OUTwright Theatre Festival, a celebration of the LGBTQIA+ contribution to theatre that is held annually in Portland, OR.
Founded on the concepts of inclusion and sustainability, Tennant’s work focuses on the Queer canon, original solo-work, and investigating classics through a contemporary lens. From the onset, their work has centered people who traditionally find themselves on the periphery of theatre. Rooted in the movement techniques of Viewpoints, Suzuki, Laban, contemporary and classical dance, their work aims to evoke a musical and visceral experience for audience and performer alike. Their years of experience in technical theatre have made clear the massive amount of waste in contemporary professional theatre, so their aesthetic has developed to provide audiences with visually and aurally appealing and inventive productions while maintaining strict sustainability measures. Their artistry has garnered prestigious local and national awards.
