Cast and Creative Team for Elliot, A Soldier’s Fugue

Cast


Jimmy Garcia*
Pop

After studying at Southern Oregon University and performing at the Oregon Shakespeare Festival, Jimmy is happy to be back in Portland where he began his acting career years ago on the stages of Miracle Theater, Stark Raving Theater and Portland Center Stage companies. In Southern Oregon, he performed a variety of roles working with such esteemed directors as Bill Rauch, Libby Appel, and Pat Patton to name a few. He has most recently performed in ART's A Civil War Christmas and can next be found at Miracle Theater's world premiere Oye Oya.

Anthony Green*
Grandpop

Tony holds a BFA in Acting and a Master of Theatre Studies in Production and Design from Southern Oregon University.  Most recently Tony was seen in Defunkt Theatre's critically acclaimed production of Hir, Jewish Theatre Collaborative's production of Davita's Harp and Into the Beautiful North at Milagro Theatre.  Other Portland credits include American Night, O! Romeo!, How The Garcia Girls Lost Their Accent, BoomCrackleFly and the Drammy Award winning Oedipus El Rey at Milagro, Equus at Post5, Cymbeline with Anon It Moves, Antony and Cleopatra with Portland Actors Ensemble, King Lear, King John and Mary Stuart at NWCTC.

Anthony Lam
Elliot

Anthony is excited to be performing at Profile Theatre for the first time. He was last seen as Atómiko in Into the Beautiful North at Milagro Theater. He graduated from the University of California, Santa Barbara with a B.F.A. in Theater Arts. He has done commercial work throughout the Northwest and recently played the tactical cop in the season premiere of Grimm. When he is not acting, he spends his time with his wife, chasing his three children all over the place.

Cristi Miles*
Ginny

Cristi is a performer, director and teacher based in Portland, OR.  Portland credits include: The Journey Play is the Whole thing, Enter THE NIGHT, The Three Sisters, Song of the Dodo and  R3 with PETE; Midsummer (a play with songs) with Third Rail Rep, Mr. Burns: A Post Electric Play, Bloody Bloody Andrew Jackson and Dying City with Portland Playhouse. She is co-artistic director of PETE, an Assistant Professor of the Theatre at George Fox University and trained at The Oregon Center for Alexander Technique (AmSAT certified teacher). Brandeis University, MFA.

 

Creative Team

Alice Reagan
Director

Alice is a New York-based freelance director.  Credits include Jackie by Elfriede Jelinek at Boom Arts, Or, by Liz Duffy Adams at Shakespeare & Company, Phaeton (a diggle of a fragment) by Mac Wellman at Classic Stage Company, Enter THE NIGHT by Maria Irene Fornes with Portland Experimental Theatre Ensemble, The Miser by Molière with Brave New World Rep, Nomads by Julia Jarcho at Incubator Arts Project, I Came to Look for You on Tuesday by Chiori Miyagawa at La MaMa.  She is the recipient of two Foundation of Contemporary Arts Grants, the Princess Grace Award (Fabergé Theater Award) and Princess Grace Special Project Grant, and was a Drama League Directing Fellow.  Alice is Assistant Professor of Professional Practice in Directing at Barnard College.  MFA: Columbia.  alicereagan.com.

Kaye Blankenship
Scenic Design

Kaye is a scenic, lighting, and props designer originally hailing from Sammamish, Washington. She earned her BA in theatre from Lewis & Clark College in 2012, and after a year working in New York, she is back in Portland and excited to work with Profile Theatre once again. Favorite past shows include: The Antigone Project (Profile), Annapurna (Third Rail), Daniel Tiger's Neighborhood LIVE (Mills Entertainment), A Winter's Tale (Anon It Moves), Static (Third Rail), Ramona Quimby (OCT), Snowstorm (CoHo), In The Next Room (Profile Theatre), and Waxwing with String House Theatre, where she is also a founding company member.

Miranda K. Hardy
Lighting Design

Miranda is a Lighting Designer based in Portland.  Previously with Profile she lit Bright Half Life and Master Harold and the Boys.  She is an associate company member with Portland Experimental Theater Ensemble designing lights for R3 [Drammy Award], The Three Sisters, All Well, or, the whale, and Procedures For Saying No, designing scenery and lights for Song of the Dodo and Drowned Horse Tavern.  She has worked on shadow/animation spectacular The Letting Go and Kaddish For Bernie Madoff.  Miranda has worked in New York City, as well as nationally and internationally including four seasons as the resident Lighting Designer at Festival Di Due Mondi (Spoleto, IT).  M.F.A. from the California Institute of the Arts.

Jenny Ampersand
Costume Design

Jenny is a designer based in Portland OR.   Her costume work was last seen at Profile for Bright Half Life.  She is an associate artist with PETE (Portland Experimental Theatre Ensemble), Liminal, and The Late Now.  Other local credits include, costumes for Third Rail's The Realistic Joneses, Oregon Children's Theatre's Miraculous Journey of Edward Tulane, Liminal's 7deadly Sins (Drammy Award), scenery for PETE's Enter THE NIGHT, Shaking the Tree's A Doll's House, Phame's Up the Fall, and puppets for Strawberry Theatre Workshop's This Land-Woody Guthrie.  She received her BFA in Scenic and Costume Design from Cornish College of the Arts.

Phillip Johnson
Sound Design

Phillip is a theatrical artist based in Portland Oregon and the Technical Director of Ridgefield High School’s drama program. His recent productions include Hands Up (Red Door Project), Worse Than Tigers (ACT Theater/Red Stage), Contigo Pan y Cebolla (Milagro Theater), The Antigone Project, A Lady Onstage (Profile Theater), and The Importance of Being Earnest (Valley Repertory Theater).  When he isn't designing or teaching Phil  is traveling the world spreading art education to impoverished areas. He most recently taught theater in the slums of Nairobi, Kenya. Phil Has a B.F.A. and M.A. from Ohio University. For updates, downloads and links to show soundtracks please visit PhilJohnsondesignstheworld.com.

D Westerholm*
Stage Manager

Profile Theatre: 2014 Tanya Barfield Season, 2013 Sam Shepard Season, 2014 Sarah Ruhl Season, The Road to Mecca. Other Portland stage management credits: Trevor, The Skin of Our Teeth (ASM), The Price (Artist’s Repertory Theatre); The Light in the Piazza (Portland Playhouse). Oregon Shakespeare Festival, Production Assistant: The Unfortunates (2013), A Midsummer Night's Dream (2013), Troilus and Cressida (2012), The Very Merry Wives of Windsor, Iowa (2012), Julius Caesar (2011), The African Company Presents Richard III (2011). BA in Theatre Management from Western Washington University, MFA in Stage Management from Columbia University. Active member of Actor’s Equity Association.

Esther McFaden
Production Assistant

Esther is making her Profile Theatre debut with Elliot, A Soldier’s Fugue. Recent credits include A Christmas Carol (PA), To Kill a Mockingbird, Blues for Mister Charlie, The Heidi Chronicles, and Julius Caesar (SM Intern) at Trinity Repertory Company, and Trevor (PA) and The Skin of Our Teeth (PA) at Artists Repertory Theater. Other favorites include Upside Down, A Musical Tale After the Christ (SM) with the Upside Down Theatre Company, Godspell (SM) with YA4Ever, and Chicago (SM) with the Young Artists Ensemble. She is a graduate of Emerson College.

*Member Actors Equity Association, the professional union of actors and stage manager.

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In Repertory

Experience these plays as never before produced: In rotating rep!

Both plays are staged on the same convertible set, share a cast of actors and focus on the central character of Elliot.  You need not see them in order, as each story stands on its own.  But do see them both for a fully rounded experience.

BUY TICKETS

November 1-19, 2017
Alder Stage

WATER BY THE SPOONFUL

Somewhere in Philadelphia, Elliot has returned from the war in Iraq and is struggling to find his place in the world. Somewhere in a chat room, recovering addicts forge an unbreakable bond of support and love. In this fearless, heart-stirring Pulitzer Prize-winner, worlds virtual and real unfold onstage, challenging our notions of family, forgiveness, community, and courage.

A rich, brilliant montage of American urban life that is as dazzling to watch as it is difficult to look away from.Associated Press

ASL interpreted performance November 10th.

Play two of the Elliot trilogy.

 

THE HAPPIEST SONG PLAYS LAST

Iraq War vet Elliot has a bright new career: movie star. But shooting a film on location in Jordan, with the tumultuous Arab Spring rumbling nearby, he finds that his wartime nightmares have followed him into his new life. Back in Philadelphia, his cousin Yaz has her hands full cooking for the homeless and trying to keep her beloved community from crumbling. Set to the joyful sounds of traditional Puerto Rican folk music, this final play of Hudes’ trilogy chronicles a year in the life of these two kindred souls as they search for love, meaning and a sense of hope in a quickly changing world.

An intensely engaging new drama.Chicago Tribune

ASL interpreted performance November 17th.

Play three of the Elliot trilogy.

 

In Repertory

Experience these plays as never before produced: In rotating rep!

Both plays are staged on the same convertible set, share a cast of actors and focus on the central character of Elliot.  You need not see them in order, as each story stands on its own.  But do see them both for a fully rounded experience.

BUY TICKETS

November 1-19, 2017
Alder Stage

Evenings 7:30pm – Matinees 2:00pm

WATER BY THE SPOONFUL

Somewhere in Philadelphia, Elliot has returned from the war in Iraq and is struggling to find his place in the world. Somewhere in a chat room, recovering addicts forge an unbreakable bond of support and love. In this fearless, heart-stirring Pulitzer Prize-winner, worlds virtual and real unfold onstage, challenging our notions of family, forgiveness, community, and courage.

A rich, brilliant montage of American urban life that is as dazzling to watch as it is difficult to look away from. Associated Press

ASL interpreted performance November 10th.

Play two of the Elliot trilogy.

 

THE HAPPIEST SONG PLAYS LAST

Iraq War vet Elliot has a bright new career: movie star. But shooting a film on location in Jordan, with the tumultuous Arab Spring rumbling nearby, he finds that his wartime nightmares have followed him into his new life. Back in Philadelphia, his cousin Yaz has her hands full cooking for the homeless and trying to keep her beloved community from crumbling. Set to the joyful sounds of traditional Puerto Rican folk music, this final play of Hudes’ trilogy chronicles a year in the life of these two kindred souls as they search for love, meaning and a sense of hope in a quickly changing world.

An intensely engaging new drama.Chicago Tribune

ASL interpreted performance November 17th.

Play three of the Elliot trilogy.

 

CAST & CREATIVE TEAM

IN DIALOGUE EVENTS (Pre & Post show conversations and artists)

PRESS Reviews, Mentions & More

 

PRODUCERS CIRCLE FOR THESE PRODUCTIONS

Producer: Paul Duden

Associate Producer: The Standard

 

Evenings 7:30pm – Matinees 2:00pm

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26 Miles

Dates of Run: June 15 – 25, 2017
Directed by: Rebecca Martinez
Featuring: Jimmy Garcia*, Chris Harder*, Alex Ramirez de Cruz, Julana Torres*

A desperate midnight phone call spurs a spontaneous road trip for a brilliant teen and her estranged mother. The reunited pair runs fast and furious from the secrets in their lives. So what if reality's nipping at their heels? Colliding together, they find connection, forgiveness and a part of their identities that has been missing all along.

Creative Team: Kristeen Crosser (Lighting Design), Sarah Gahagan (Costume Design), Daniel Meeker (Scenic Design), Sharath Patel (Sound Design)
ASL interpreted performance June 23rd.

*Member Actors' Equity Association, the professional union of actors and stage managers.

 

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Elliot, A Soldier’s Fugue

Dates of run: February 2-19, 2017
Directed by Alice Reagan

Featuring: Anthony Lam, Cristi Miles*, Jimmy Garcia* and Anthony Green*.

“Politically relevant, delicately balanced between drama and restraint”-Portland Mercury

“Recalls the kind of finely textured cultural detail that makes August Wilson’s plays so rich” -ArtsWatch

Nineteen-year-old Lance Corporal Elliot Ortiz, U.S.M.C. is a recently anointed hometown hero who returns from the Iraq War with a leg injury and a difficult question: Will he go back to war a second time? Tracing the legacy of combat service through three generations of a Puerto Rican family, this evocative, lyrical and often humorous tale explores how the landscape of the soul is transformed by war.

Creative Team: Kaye Blankenship (Scenic Design), Jenny Ampersand (Costume Design), Miranda Hardy (Lighting Design), Phillip Johnson (Sound Design), D Westerholm* (Stage Manager)

ASL interpreted performance Friday, February 10th.
Featured charity Do Good Multnomah. Read more here.

See the program for Elliot, A Soldier's Fugue here.
See the media kit for Elliot, A Soldier's Fugue here.

*Member Actors' Equity Association, the professional union of actors and stage managers.

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Meet Josh Hecht! Our New Artistic Director

Omaha profile close upProfile Theatre is pleased to announce Josh Hecht as its new Artistic Director after a seven month national search. Josh will be relocating to Portland and take up leadership of theatre in February 2017. “I've spent my career guided by the belief that it is our writers who help us dream our culture forward,” says Josh. “I'm thrilled to join Profile Theatre, whose distinctive mission uses one playwright's vision as a lens to help us better understand ourselves and our world. And I am inspired by Profile's commitment to artistic excellence, robust community engagement and to presenting artists who reflect the diversity of our shared culture.”

“Profile Theatre was honored to have over 80 qualified applicants from around the world express interest in becoming our Artistic Director,” says Richard Bradspies, Profile Board member and head of the Artistic Director search committee. “We are especially excited to have Josh Hecht join us because he brings outstanding experience coupled with a shared vision and passion for the unique place Profile fills in the Portland arts scene.”

Josh comes to Profile after having previously served in senior staff positions at two important theaters in New York, MCC Theater and WET. While at MCC, he commissioned new work by Terrence McNally and John Guare, dramaturged Tony-nominated plays by Bryony Lavery and Neil LaBute, and created and ran the Playwrights Coalition, developing new plays by some of the most honored young playwrights of the last decade including Stephen Adly Guirgis, Lucy Thurber, David Adjmi, Adam Bock, Itamar Moses and many others. At WET he developed new work by some of our most prominent female playwrights including Anna Ziegler, Melissa James Gibson, and Kate Robin. He has consulted with the Lake George Theatre Lab and the Great Plains Theatre Conference, helping them expand their programming and community engagement initiatives.

As a freelance director, Josh’s work has received the Drama Desk Award for Unique Theatrical Experience, Festival First awards at the Edinburgh Festival Fringe and Dublin Arts Festival, and has been nominated for the IRNE Award (Boston) and the GLAAD Award (New York). Productions have been seen at theaters around the country including the Guthrie Theater, the Humana Festival of New American Plays at Actors Theater of Louisville, the Berkshire Theater Festival, the Kennedy Center, No Rules at Signature Theater Company in DC, and in New York at MCC Theater, the Cherry Lane, the Duke on 42nd Street, The Culture Project and the Obie-winning collective 13Playwrights, among others. He has continued to develop dozens of new plays at theaters and play development centers across the country.

As an educator, Josh has been on the faculty of the New School for Drama’s MFA Directing program,  Fordham University’s MFA Playwriting program and Purchase College, SUNY’s esteemed BFA Dramatic Writing program, in addition to guest stints at The Juilliard School, NYU, Carnegie Mellon, the University of Minnesota and others.

His writing has been seen at the Kennedy Center in a collaborative piece created with National Medal of Honor winner Ping Chong, at the Duke on 42nd Street, the Flynn Center in Burlington, VT and the Round House Theater, and has received the support of the Jerome Foundation.

Profile Board Chair Steve Young adds, “Along with other members of Profile’s Search committee, I was impressed by Josh’s credentials as an educator and award-winning director with broad and deep experience in American theatre—in NYC and across the US. I am also impressed by his communication, collaboration, and leadership skills and by his passionate belief in theatre’s responsibility to contribute to the civic life of our community.”

Josh will arrive at Profile Theatre to launch Profile’s 2017 Quiara Alegría Hudes Season. “I've been a fan of Quiara Alegría Hudes since seeing Elliot nearly a decade ago,” says Josh. “I find her plays profoundly optimistic in world-view, without ignoring the complicated, often painful  realities of our lives. They seem to suggest that human connection is the salve that can begin to heal even the biggest traumas.” He will direct the rotating repertory productions of Water by the Spoonful and The Happiest Song Plays Last running November 1-19, 2017.

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