Lauren Yee is a playwright, screenwriter, and TV writer born and raised in San Francisco. She currently lives in New York City.

Her CAMBODIAN ROCK BAND, with music by Dengue Fever and others, premiered at South Coast Rep, with subsequent productions at Oregon Shakespeare Festival, La Jolla Playhouse, Victory Gardens, City Theatre, Merrimack Rep, and Signature Theatre. Her play THE GREAT LEAP has been produced at Denver Center, Seattle Rep, Atlantic Theatre, Guthrie Theatre, American Conservatory Theatre, Arts Club, InterAct Theatre, Steppenwolf, Pasadena Playhouse/East West Players, and Cygnet Theatre.

Lauren Yee’s play KING OF THE YEES premiered at The Goodman Theatre and Center Theatre Group, followed by productions at ACT Theatre, Canada’s National Arts Centre, and Baltimore Center Stage. Other plays include CHING CHONG CHINAMAN (Pan Asian Rep, Mu Performing Arts), THE HATMAKER’S WIFE (Playwrights Realm, Moxie, PlayPenn), HOOKMAN (Encore, Company One), IN A WORD (Young Vic, SF Playhouse, Cleveland Public, Strawdog), SAMSARA (Victory Gardens), THE SONG OF SUMMER (Trinity Rep, Mixed Blood), and THE TIGER AMONG US (Mu).

She is the winner of the Doris Duke Artist Award, the Steinberg Playwright Award, the Horton Foote Prize, the Kesselring Prize, the ATCA/Steinberg Award, American Academy of Arts and Letters literature award, and the Francesca Primus Prize. She has been a finalist for the Edward M. Kennedy Prize and the Susan Smith Blackburn Prize. Her plays were the #1 and #2 plays on the 2017 Kilroys List.

Lauren is a Residency 5 playwright at Signature Theatre, New Dramatists member (class of 2025), Ma-Yi Writers’ Lab member, former Princeton University Hodder fellow, and Playwrights Realm alumni playwright. Current commissions include Arena Stage, Geffen Playhouse, La Jolla Playhouse, Portland Center Stage, Second Stage, South Coast Rep.

Jamie has had the pleasure of exploring theatre as a tool for connection and change for over 20 years. After directing in LA, New Zealand, Australia, Canada, Ohio, New York, and Portland, she now serves as founding co-artistic director of The Beirut Wedding World Theatre Project. Recent local credits include Jesus Hopped the A-Train, CoHo/Beirut Wedding, Topdog Underdog (Street Scenes) and B*tch in Kitchen as part of Salt with Shaking the Tree.

Jamie’s activism work has a heavy focus on survivors of sexual violence. Two local projects include the development of and tour of Telling – a piece where survivors tell their own stories with facilitated audience conversations (3 year partnership with OAASIS – a Portland based resource and advocacy organization for adult survivors of childhood sexual abuse). And Made to Dance in Burning Buildings, an interdisciplinary dance/theatre piece of a survivor’s reclamation of self as she navigates PTSD.

Ajai Tripathi is an Actor, Director, Producer, and Playwright. He graduated from OSU with a BA in Theatre Arts, has worked as an Education Director, Teaching Artist, and Acting coach with Milagro, and Northwest Children’s Theatre and School. He has written three bilingual shows for young audiences for Teatro Milagro, and serves on the administrative team of PDX Playwrights. His work is guided by the mission of centering marginalized communities, decolonizing theatre and academia, and advocating for inclusive practices in the arts.