Rehearsals are underway for the final play of the 2016 Tanya Barfield Season! Look at the team artists bringing Bright Half Life to the stage.

Get tickets to Bright Half Life HERE.


Chantal DeGroat

Chantal  is honored to perform again in this Profile season. Working with this team of women has been transformative. Chantal performed a reading of Bright Half Life this summer with The Hansberry Project (Seattle). Training: Shakespeare & Co., Emerson College. She is a Third Rail Repertory company member. Credits: Seattle Rep (2017), Intiman, Third Rail Rep, Portland Center Stage, Artists Rep, Badass Theatre, Portland Playhouse, Clackamas Rep, NWCTC, Jewish Theatre Co. Educator/Actress: August Wilson Red Door Project, Portland Center Stage, & Exeter University (England). She is Artistic Director & activist of The Color of NOW. Representation: Arthouse Talent.

Maureen Porter

Maureen  is a Company Member of Third Rail Repertory Theatre where roles include Arphra Behn in Or, Maureen in The Beauty Queen of Leenane, Belinda in Noises Off, Marian in Sweet &; Sad and That Hopey Changey Thing, Lisa in The Wonderful World of Dissocia, Pam in The Gray Sisters, Eleanor in Dead Funny, and Mom in Number Three. Other local credits include Dark Ahab in Or, The Whale with Portland Experimental Theatre Ensemble, The Taming of the Shrew at Portland Shakespeare Project, Crooked at CoHo Theatre, No Exit and Betrayal at Imago. This is Maureen’s debut at Profile.


Rebecca Lingafelter

Rebecca is a local director, performer and educator. Directing credits include Peter and the Starcatcher (Portland Playhouse), Procedures for Saying No (PETE) Realistic Joneses (Third Rail), Tongues (Profile), Elective Affinities (Boom Arts), 448 Psychosis and As You Like it (Lewis & Clark). She is a company member at Third Rail Repertory Theatre and co-artistic director of Portland Experimental Theatre Ensemble (PETE). Upcoming projects include co-directing The Angry Brigade (Third Rail Rep). Rebecca is an Assistant Professor of Theatre at Lewis & Clark College. Columbia University, MFA.

Peter Ksander
Scenic Design
Peter is a scenographer and media artist whose stage design work has been presented both nationally and internationally. In 2008 he won an Obie award for the scenic design of Untitled Mars (this title may change), and in 2014 he won a Bessie award for the design of This Was the End. He holds a MFA from the California Institute of the Arts, is an Associate Professor at Reed College and is an associate company member with the Portland Experimental Theatre Ensemble. This his first show with Profile.

Miranda K. Hardy
Lighting Design
Miranda is a Lighting Designer based in Portland.  Previously with Profile she lit Master Harold and the Boys.  She is an associate company member with PETE (Portland Experimental Theater Ensemble) designing lights for R3 [Drammy Award], The Three Sisters, All Well, or, the whale, and Procedures For Saying No, designing scenery and lights for Song of the Dodo and Drowned Horse Tavern.  She has worked with Laura Heit on her shadow/animation spectacular The Letting Go and Alicia Jo Rabin’s Kaddish For Bernie Madoff.  Miranda has worked extensively in New York City, as well as nationally and internationally including four seasons as the resident Lighting Designer at Festival Di Due Mondi (Spoleto, IT).  Miranda holds an MFA from the California Institute of the Arts.

Jenny Ampersand
Costume Design
Jenny  is a designer based in Portland OR.  She is an associate artist with PETE (Portland Experimental Theatre Ensemble), Liminal, and The Late Now.  With PETE, she just completed The Journey Play Constellation.  Other local credits include, costumes for Third Rail’s The Realistic Joneses, Oregon Children’s Theatre’s Miraculous Journey of Edward Tulane, Liminal’s 7deadly Sins (Drammy Award), scenery for PETE’s Enter THE NIGHT, Shaking the Tree’s A Doll’s House, Phame’s Up the Fall, and puppets for Strawberry Theatre Workshop’s This Land-Woody Guthrie.  She received her BFA in Scenic and Costume Design from Cornish College of the Arts.

Mark Valadez
Sound Design
Mark  is a sound designer who has made work in New York City, Seattle, Portland, San Francisco and Budapest. He is a proud member of Third Rail Repertory Theater and an associate artist with Portland Experimental Theatre Ensemble (PETE). Third Rail credits include: Midsummer; A Play with Songs, The Mystery of Irma Vep, Belleville, Or, The Realistic Joneses, Mr. Kolpert, The New Electric Ballroom, Annapurna, and The Nether; with PETE: R3, The Song of the Dodo, The Three Sisters, Enter the Night, Drowned Horse Tavern, All Well, [or, the whale], and Procedures for Saying No.

Stage Manager
With Profile Theatre: Blue Door, The Call; 2014 Sam Shepard Season; 2015 Sarah Ruhl Season, The Road to Mecca. Other Portland stage management credits: Trevor, The Skin of Our Teeth (ASM), The Price (Artists Repertory Theatre); The Light in the Piazza (Portland Playhouse). Oregon Shakespeare Festival, Production Assistant: The Unfortunates (2013), A Midsummer Night’s Dream (2013), Troilus and Cressida (2012), The Very Merry Wives of Windsor, Iowa (2012), Julius Caesar (2011), The African Company Presents Richard III (2011). BA in Theatre Management from Western Washington University, MFA in Stage Management from Columbia University. Active member of Actor’s Equity Association.

Charlie Capps
Production Assistant
Charlie graduated high-school from Arts and Communication Magnet Academy in 2015. He has taken part in the Summer Musical Intensive program for the past two years, designing scenery and stage managing for Once Upon A Mattress (2015) and Into The Woods (2016.) Since graduating, he took an internship at Artists Repertory Theatre as a stage management and scene shop intern where he worked on productions such as Mothers and Sons, We are Proud To Present…, and Grand Concourse. He was a member of the PATA Spotlight Award winning crew for The Skin Of Our Teeth. Most recently he was production manager on The Gun Show at CoHo Productions.