Josh Hecht


Josh Hecht (Artistic Director) is a Drama Desk Award-winning director whose productions have been seen in New York at MCC Theater, The Cherry Lane, The Duke on 42nd Street, New World Stages, Culture Project, regionally at The Guthrie Theater, the Berkshire Theatre Group, the Humana Festival at Actors Theatre of Louisville, Signature Theatre (DC) and internationally at the Dublin Arts Festival and the Edinburgh Festival Fringe and elsewhere. His collaboration with Ping Chong and Company was commissioned by and premiered at The Kennedy Center before touring the northeast. His writing has received the support of the Jerome Foundation. He is formerly the Director of Playwright Development at MCC Theater and the Director of New Play Development at WET. He’s served on the faculty of the New School for Drama MFA Directing program, the Fordham University MFA Playwriting program, Purchase College SUNY’s BFA Dramatic Writing program and has been a guest artist at The Juilliard School, NYU’s Dramatic Writing MFA, Carnegie Mellon’s MFA Playwriting, University of Minnesota’s BFA Acting program and others.


Peter Ksander

Scenic  Design

Peter is a scenographer and media artist whose stage design work has been presented both nationally and internationally. In 2006 he joined the curatorial board of the Ontological-Hysteric Incubator. In 2008 he won an Obie award for the scenic design of Untitled Mars (this title may change), and In 2014 he won a Bessie award for the visual design of This Was the End. He holds a MFA from the California Institute of the Arts, is an Associate Professor at Reed College and is an associate company member with the Portland Experimental Theatre Ensemble. This is his second design with Profile having designed Bright Half Life last season.


Brynne Oster-Bainnson

Costume Design

Brynne received her BA from Drew University in 2013. She works as the wardrobe supervisor for Broadway Rose Theatre Company and is also the costumer for David Douglas High School and St. Mary’s Academy where she enjoys spreading the love of costumes to the next generations. Brynne has worked as a costume designer for Broadway Rose, Third Rail, and CoHo. Highlights of her recent shows Fly By Night (BRTC), The Nether (TR), Angry Brigade (TR),  and db (CoHo). She is very excited to work with Profile for the first time on these two incredible shows with this outstanding creative team.


Carl Faber

Lighting Design 

In three seasons with Profile Carl has designed: Orlando, Dead Man’s Cell Phone, Eyes for Consuela.  Recent designs with Artists Rep (Grand Concourse, Broomstick), Third Rail (The Angry Brigade), Broadway Rose (Trails, Beehive – Drammy Best Lighting), Theatre Vertigo (Carnivora), NWCT (Mary Poppins).  Regional: Arena Stage, Boston ICA, Williamstown Theatre Festival.  Touring Production/IT: Bruce Springsteen and the E Street Band.  Touring Associate Lighting/Video: Bon Iver, The National.  Lighting Artist: Eaux Claires Music Festival.  Founding Member: Woodshed Collective NYC.  Staff Assistant Lighting Designer: Portland Opera.  Broadway Assistant Designer: The Book of Mormon.  Education: Catlin Gabel, Vassar College.  Member: United Scenic Artists Local USA-829.

Represented by United Scenic Artists


Matt Wiens

Sound Design

Matt is excited to be a part of Profile’s Quiara Alegria Hudes season. Recent work includes Pen/Man/Ship, How I learned What I Learned, and You For Me For You, at Portland Playhouse. Matt would like to thank his family for their support and encouragement!


Kyra Bishop Sanford

Props Master

Kyra is excited to be part of this production! Local credits include scenic and props designer and TD for You’re a Good Man Charlie Brown (Enlightened Theatrics) and Troilus and Cressida (Portland Actors Ensemble), scenic and props designer for The Pillowman (Life in Arts), production designer and TD for Men Run Amok (part of Fertile Ground 2017), props master for The Events (Third Rail Rep), Plaid Tidings (Enlightened Theatrics) and Reborning (Beirut Wedding), as well as carpentry and paint work at various theatres in the area. She received her BFA in Scenic Design from the Conservatory of Theatre Arts at Webster University.


Jamie Rea

Production Manager

From Berlin’s aerialist street ensemble, Grotest Maru to Wellington’s all female dance ensemble JAVA, Jamie has been exploring this powerful tool of connection and change for over 2 decades. Serving as an award winning director, designer, and performer, she has worked up and down both coasts and as far away as Australia. She does however also love to plant roots, building a human-resource-focused way of working, as a foundation for extraordinary art. To that end, it has been her pleasure to serve as Production Manager for Jewish Theatre Collaborative for 9 years, for Enlightened Theatrics for the past 3 years, and by project for many others including Sojourn Theatre and The Beirut Wedding World Theatre Project.


Baleigh Isaacs

Stage Manager

Baleigh is delighted to be working with Profile Theatre for the first time, marking her Portland debut after spending a dozen years in Chicago. Her Chicago credits include productions at Steppenwolf, Lookingglass, Chicago Shakespeare, American Blues, Remy Bumppo, and Drury Lane as well as Million Dollar Quartet, Love, Loss, and What I Wore, Old Jews Telling Jokes, and Motherhood the Musical.  Baleigh has also worked with the Alliance Theatre and Georgia Shakespeare in her hometown of Atlanta.  Her NYC credits include Les Miserables, The Rhythm Club, and Summer of ’42.

Member of Actor’s Equity Association


Breydon Little

Assistant Stage Manager

Breydon is ecstatic to be working with in rep with Profile this fall! He is a stage manager with credits at Portland Playhouse, and independent projects with Michael Streeter, Beth Thompson, and Elizabeth Huffman. He is a proud member of Theatre Vertigo and a production manager at Clackamas High School.


Ashlin Hatch

Assistant Director

Ashlin is thrilled to be collaborating on her first project with Profile. Other recent directorial credits include Nice Town, Normal People (Rhizome Theater Co.) and This Must Be the Place (Reed College)—both devised, interview-based performances aiming to sow seeds of social cohesion, compassion, and kindness.