Category Archive: Uncategorized

Hayley Ferrell

Hayley Ferrell (They/She), Production Assistant
Hayley is a Portland based Stage Manager. They most recently Stage Managed Corrib Theater’s production of Waiting for Godot. They have worked on a number of Profile theatre’s productions some of their favorites include: The Oldest Profession by Paula Vogel, Appropriate by Brandon Jacob Jenkins, The Elaborate Entrance of Chad Deity by Kristoffer Diaz, and how to make an American Son By christopher oscar peña. They have previously worked as a House Manager, Stage Manager, and Assistant Stage Manager for companies such as Corrib Theatre, PCC Performing Arts Center, Portland Baroque Orchestra, and Chamber Music Northwest. They are more than happy to have the opportunity to work with this wonderful group of artists and thank you for coming out to the theatre!

David Levine

David Levine (He/Him), Stage Manager
David Levine is a lifelong Portlander and former teacher who comes from a long line of educators-turned-actors, dating back to 1950’s summer camp in the Catskills. Recent stage manager credits include: Thurgood at Cleveland Play House; Evolve with The Red Door Project; awe/struck and our orange sky at Profile Theatre; and Amelie at Portland Playhouse.

Abrar Haque

Abrar Haque (He/Him) as Amit
Abrar Haque is a performer and writer based in New York City and raised in Portland, Oregon. NYC Credits: Public Obscenities (Drama Desk Award) at Soho Rep and Theatre for a New Audience; development work at The Public Theater, Egg & Spoon Theater. Regional Credits: Woolly Mammoth, Artists Rep, Portland Shakes, Bag&Baggage. B.A in Economics from UC Berkeley. @abrarhawk19

Jonathan Cullen

Jonathan Cullen (He/Him) as Frenchman
Jonathan was a professional actor in the UK for three decades, performing with the Royal Shakespeare Company, National Theatre, Shakespeare’s Globe, among many others, in repertoire ranging from classics to new plays, and everything in between. 

He spent the summer with the Whidbey Island Shakespeare Festival, playing the title role in King Lear, and Phillis the maid in The Lucky Chance by Aphra Behn, and then returned to Portland to appear as Pozzo in Corrib Theatre’s production of Waiting for Godot. 

He dedicates this show to the people named on his tattoo: they know who they are.

Veda Baldota

Veda Baldota (She/Her) as Suraiya
Veda Baldota is a South Asian actor who just graduated with a MFA in acting from Columbia University. 

Regional credits: Pride and Prejudice (Chautauqua Theatre Company), Much Ado About Nothing (San Francisco Shakespeare festival) and new play workshop of Kate Hamill’s, The light and the dark (Chautauqua Theatre Company), Give me your answers, Do (Reading at Irish Rep Theatre), A Muslim in the Midst (Reading at ASDS Rep Theatre), Ender’s Gay (Reading at TheatreLab)

She has also been a part of some award winning short films in New York. 

Along with acting she loves to spend time in nature, go on spontaneous adventures, play pranks and build relationships.

Thank you mom.

vedabaldota.com or IG: @vedabaldota

Benjamin Tissell

Benjamin Tissell (He/Him) as Craig
Ben is a Portland-based actor, director and musician, delighted to be making his Profile Theatre debut. Locally, Ben has performed with Portland Center Stage, Portland Playhouse, Third Rail Repertory, Broadway Rose, Lakewood Theatre, and many others. He is also an active singer-songwriter whose music can be found on Spotify and elsewhere. Later this spring, Ben will be performing in Who’s Afraid of Virginia Woolf at Portland Center Stage. More about Ben’s work and upcoming projects can be found on his website bentissell.com or his instagram profile @benjamintissell.

Jerilyn Armstrong

Jerilyn Armstrong (She/Her) as Katie
Jerilyn is thrilled to be making her Profile Theatre debut. Recent theatrical credits include Alabaster (WJN Productions, Shaking the Tree), Colonialism is Terrible, but Phở Is Delicious (Oregon Contemporary Theatre), and Metaverse (Corrib Theatre). Feature film credits include Woe and #chadgetstheaxe. She performs improv with her award-winning team HONK at Kickstand Comedy, and has been featured twice on the HOLY SHIT IMPROV show created by UCB, Los Angeles. Her autobiographical play, Exhale, debuted as a staged reading at the 2024 Fertile Ground Festival. She is a graduate of PETE’s Institute for Contemporary Performance. 

OUR ORANGE SKY Cast & Crew

Patricia Alvitez (Marisol) is so excited to work with Profile Theatre for the first time! She was born in Peru where she studied Ballet at La Escuela Nacional de Ballet and acting at La Asociación de Artistas Aficionados and El Club de Teatro de Lima. In the late ‘80s, she joined The Peninsula Ballet Theatre in the Bay Area as a company member. Portland Theatre:Grand Hotel and Young Frankenstein (Lakewood Theatre), Last Stop on Market Street (Oregon Children’s Theatre), six Day of the Dead productions, Watsonville: Some Place Not Here, La Segua, Wolf at the Door, Ardiente Paciencia, and Verónica Princesa (Milagro Theatre); and La Ruta (Artists Repertory Theatre). She also plays Elena in the future film Mother of Color filmed here in Portland. Choreographer: Bee زنبو (LES Shakespeare Co).

Anthony Green Caloca* (Mando) is thrilled to return to Profile Theatre since previously appearing in Elliot, A Soldier’s Fugue in 2017. Recent credits include playing Antigonus and Old Shepherd in The Winter’s Tale at The Old Globe in San Diego. Portland credits include Blind (Chapel Theatre Collective), LydiaInto the Beautiful North, American Night: The Ballad of Juan José, ¡O Romeo!, How The Garcia Girls Lost Their Accents, and Oedipus el Rey (Milagro Theatre); Island in Winter, or La Isla en Invierno (Bag&Baggage Productions); The Crackwalker (Sowelu Theatre); Hir (Defunkt Theatre); Davita’s Harp (Jewish Theatre Collaborative); and King LearKing John, and Mary Stuart (Northwest Classical Theatre Company). Anthony won the 2018 OTAS Best Supporting Actor Award for his portrayal of Bob Ewell in Lakewood Theatre Company’s production of To Kill a Mockingbird. Earlier this season Anthony directed Borderline at Milagro Theatre.

Jonathan Hernandez (Junior) (he/him) is grateful to be working once again with christopher oscar peña and the Profile team! He was last seen performing as Rafael in how to make an American Son. Recent credits include Gloria (Stray Cat Theatre), Electra (HeyGhosteater), The Hombres (Artists Repertory Theatre), and Welcome to Arroyo’s (Profile Theatre). “our orange sky allowed me to uncover my relationship with my family – the difference between obligation, guilt, and unconditional love to my parents. I dedicate this performance to my parents. Without their support, (and their personality), I wouldn’t be who I am today. Finally, a quick shout out to the staff, the crew, and the cast; they treat me like family and not the Junior kind either… You’ll see what I mean soon. I love you Profile and I love you my cast.”

David Remple (Mario) is thrilled to be making his debut with Profile Theatre. A native of New York, his past productions include several Off-Off Broadway productions, such as The Stone Guest (Don Juan) and Macbeth (Malcolm). He  performed with the national children’s touring production Encore! with Chamber Theatre Productions and has since been in a variety of commercials, most notably with Verizon, Ancestry, and Activision Blizzard. His most recent  productions include: Las Adelitas (Antonio Reyes), The Play You Want (Lin Manuel Miranda/John Leguizamo), and Semillas (Juan Carlos). Other credits  include Romeo and Juliet (Romeo), The Odyssey (Hermes), Julius Caesar (Mark  Antony), The Merchant of Venice (Bassanio) and Body Awareness (Jared). He would like to thank his family and friends for their continued love and support.

Matthew Sepeda (Orlando) is super excited to be returning for his third show with Profile Theatre and his second chris peña play. He is an actor and fight choreographer here in Portland. You might have seen him previously at Profile in how to make an American Son by chris peña and The Elaborate Entrance of Chad Deity by Kristoffer Diaz. He’s very honored to be working on this world premiere show with so many talented artists. He’d like to thank everyone for their amazing hard work and dedication. He’d also like to thank his friends, family, and partner for all their love and support.

Skyler Verity (Wes) is an actor and filmmaker based in Portland, Oregon. Skyler was most recently seen on stage in Profile Theatre’s productions of how to make an American Son (Sean) and awe/struck. (Drew), and Portland Center Stage’s productions of Hair (Berger) and Rent (ensemble). His film and television credits include lead roles in James Franco’s Memoria, the film Sophie Jones (Showtime), and a recurring role on the TBS comedy Chad. The first short film Skyler wrote and produced, Julia, premiered at the 2022 BendFilm Festival, and was praised by rogerebert.com as a “galvanizing fact-based gem.” Skyler’s acting training includes Meisner Technique at Playhouse West (Los Angeles). Skyler would like to thank Profile Theatre for the opportunity to return to their stage.

EVREN ODCIKIN (Director) (he/him) is a Turkish-American director, writer, and arts leader with a commitment to advocating for historically-excluded stories and voices in the American theater. His work is heart-centered, politically engaged, and centers joy as resistance. Recent directing credits include Macbeth and Mona Mansour’s unseen at Oregon Shakespeare Festival (OSF), Harvey Fierstein’s Torch Song at Marin Theatre Company, Sylvia Khoury’s Selling Kabul at Northern Stage, and Amir Nizar Zuabi’s This is Who I Am for Woolly Mammoth, PlayCo, American Repertory Theater, Guthrie Theater, and OSF. Prior directing credits include work at Berkeley Repertory Theatre, Geva Theatre, South Coast Repertory, The Kennedy Center, The Lark, Interact Theatre Company, Cleveland Public Theatre, Playwrights Foundation, Golden Thread, Crowded Fire, and Magic Theatre, among many others. As a playwright and translator, he has been commissioned and produced by Cal Shakes, NYU Abu Dhabi, Golden Thread, Crowded Fire, and Custom Made. In 2023, he served as the interim artistic director at OSF, where he had been the associate artistic director and director of artistic programming since 2019. At OSF, he was instrumental in “saving” the 2023 Season, programmed the 2024 Season, and oversaw the producing of five repertory seasons, including more than 30 productions. Evren is a founder of Maia Directors, an affiliated artist with Golden Thread Productions, and serves on the boards of Middle Eastern North African Theater Makers Alliance and Playwrights Foundation. Recognitions include a “Theatre Worker You Should Know” feature in American Theatre Magazine, a National Director’s Fellowship from The O’Neill, National New Play Network, The Kennedy Center, and Stage Directors and Choreographers Foundation; and a TITAN Award from Theatre Bay Area. odcikin.com

THOMAS SEPULVEDA (Mario u/s) has been working as a professional actor in the Portland Metropolitan area since 2022. He graduated with a Bachelor of Arts degree in theatre arts at Portland State University and has been doing theatre since he was 14 years old. You may recognize Thomas from the premiere production of City Without Altar at Milagro Theatre, Red Velvet at Bag&Baggage Productions, or most recently in the premiere reading of our orange sky by christopher oscar peña hosted by Profile Theatre (as Mario). Thomas wants to extend gratitude and thanks to his parents, his amazing partner, and his high school drama teacher who all nurtured his dreams of performing important impactful work that represents Latinos as fully fleshed dynamic human beings despite being constantly both misrepresented and underrepresented in film, television and theatre.


CREATIVE TEAM & CREW

Scenic Design – Frank J. Oliva^
Costume Design – Ahmad Daniel Santos
Lighting Design – Blanca Forzán
Sound Design – Scott James
Stage Manager – David Levine*
Production Assistant – Hayley Farrell
Intimacy Director – Kristen Mun-Van Noy
Dialect Coach – Josh F. S. Moser
Properties Coordinator – Gwyneth Bushman
Technical Director – Derek Easton

^ Representing by United Scenic Artists – Local USA 829 of the International Alliance of Theatrical Stage Employees.

* Appearing through an Agreement between Profile Theatre and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Lead Carpenter – Michael Hall
Lead Electrician – Joshua Yoon
Programmer – Joshua Yoon

Electrician – Graden Downing
Electrician – Akitora Ishii
Electrician – Zachariah Barbour
Electrician – Sophina Flores
Electrician – Celia Straub

Colin’s Assistant – Alden Girsch

Carpenter – Abbie Northrop
Carpenter – Allen Phillips
Carpenter – Grant Christnacht

Shop Lead Carpenter – Phil Shaw
Shop Carpenter – Lauren Williams
Shop Carpenter – Gray DePol
Shop Lead Painter – Faith Johnson
Shop Painter – Kiona McAlister

Light the Way Gala 2024

Photos by David Kinder

Profile Actor Jimmy Garcia and Profile Board Chair Mignon Mazique
Profile Artists – Lea Zawada and Alexandria Hunter
Honoree Bill Dickey and Friends
Performer – Dani Barker
Performers – Hunter Noack and Thomas Lauderdale
Performer – Jane Mantiri
DJ – Andres Lopez
Honoree – Bill Dickey
Featured Playwright – christopher oscar peña
Artistic Director – Josh Hecht
Director of Community Engagement – Tamara Carroll

Box Office Manager

ABOUT PROFILE

Founded in 1997, Profile Theatre is one of the oldest continuously operating theaters in the state. Profile Theatre centers an entire season of first class productions and community engagement activities through the lens of the season-long Featured Playwright, whose unique vision broadens our perspective on the world and deepens our collective compassion. We do this through large-scale professional productions, our expansive In Dialogue program, the Playwrights Residency, and our signature Community Profile program. Profile has grown to be one of the most well-regarded theaters in Portland, with a reputation for bringing intelligence, excellence and passion to the stage. 

POSITION AND RESPONSIBILITIES

The Box Office Manager is the primary staff member interacting with patrons purchasing tickets, with Members who need to select dates and seats, and at special Member events. The Box Office Manager also supports the Director of Communications as the primary patron information technology manager via Profile’s CRM, and facilitates group sales including Affinity Nights, Alumni Nights and other group sales as come up. The Box Office Manager collaborates with the Front of House Manager to ensure they have all needed information regarding the attendance of each performance.

Profile Theatre values a non-siloed workspace in which staff members support one another across departments. Profile Theatre staff all work towards several organizational goals: to produce high-level artistic events, to achieve financial stability and maintain fiscal transparency, and to develop and deepen relationships in our community.

Specific duties include:

  • Answer sales and information requests through Comcast Business (mobile app or landline) and email correspondence for boxoffice@profiletheatre.org (G Suite)
  • Sell tickets and memberships or process donations utilizing the MonkeyPod CRM and Salesforce Patron Manager. 
  • Works within and manages Box Office Budget. 
  • Identify, hire, train and manage Box Office Overhire. 
  • Collaborate with Front of House and Stage Management staff to ensure a timely and enjoyable experience for the Profile Community. 
  • Build all ticketed events and seasons in Eventbrite
  • Build subscription/membership packages in MonkeyPod and/or PatronManager.
  • Fulfill ticket requests, membership ticket benefits, complementary tickets, and other single ticket sales for all Profile Theatre Events, including fundraisers.
  • Maintain patron data in both MonkeyPod and PatronManager Build all ticketed events and seasons.
  • Build Membership packages.
  • Update website and ticketing platform as needed. 
  • Possibly work Box Office shifts at Profile productions or events, if needed and as schedule permits.
  • Some evening and weekend hours are required.
  • Other duties as assigned. 

This position may include physical requirements of moving, standing and/or sitting indoors and/or outdoors, utilizing technology, and interacting with others. Reasonable accommodations provided.  

QUALIFICATIONS

Customer service, technology, problem solving, friendly, outgoing, interested in advancement in arts administration. 

COMPENSATION

Profile Theatre is an equal opportunity employer and strongly encourages women and people of color to apply, in keeping with its core values of inclusion and representation. 

The Box Office Manager is compensated at a rate of $20/hr. 

LOCATION

This position will be expected to report to the Profile Theatre office at 216 NW 13th Ave, or remotely from home with own equipment as mutually negotiated with the company. 

SCHEDULE

The Box Office Manager is projected to work 20 hours a week. At least half of this time is expected to be in the office. The rest of the time may be worked remotely with set hours. In between seasons (usually summer), there is the potential to flex down some. While this is a daytime position, the support of certain evening events like first reads, opening nights and the annual gala are required.

REPORTING

To Director of Communications, Eboni Lovell. 

APPLY

Please include a letter of interest outlining applicable skills and experience and a resume to info@profiletheatre.org. No calls or drop-ins, please.